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Carly Rae Jepsen tells us all about ‘Day And Night’, a 24-track double album split between giddy daylight romance and something considerably more cinematic after dark. A child of divorce who grew up between two houses, she’s stopped treating those two halves of herself as a problem to solve. “It’s just me honouring the two sides of myself,” she says, in an interview that also covers marriage, motherhood, ABBA Voyage and the small matter of scoring the 10 Things I Hate About You musical. “Any time I let my freak flag fly, so to speak, there were people who wanted me to raise it higher.”
Cruz Beckham checks in from New York (a city he says stresses him out, and one he’d travelled to watch England exit the World Cup in) about debut EP ‘Wear & Tear’, a record made with his band The Breakers at RAK Studios, in the same room the Stone Roses made their debut album. He’s got a famous surname, a long apprenticeship and absolutely no interest in the version of himself the tabloids drew up when he was eleven. “It’s better to be underestimated than overestimated,” he reckons, in a cover story that takes in Scooter Braun, a song called ‘Wannabe’ and a refreshing honesty that he’s well aware where he’s come from, but at the end of the day he just wants to be a boy in a band.
Then there’s Westside Cowboy, who walk us through debut album ‘It Goes On’, the one they deliberately made smaller rather than bigger, having realised the alternative was becoming an arena band by accident. “It’s a weird lost art, being a band,” says Jimmy Bradbury, and they mean it with their yearly wish list containing exactly one item, to support Bruce Springsteen. “We ring him every day!” laughs Aoife Anson O’Connell. We’re not sure we actually believe that.
Issue: The Japanese House
Onsale: 26/06/2023
inc p&p ( 19 in stock)